2019 Drowning

讓清水沖去，慢慢地顯影。

藍曬的模樣，是需要曝曬在紫外線光之下。

隨著光的角度、曝光時間量，甚至是紙張材質、空氣的濕度等的媒介影響，來逐漸構成藍曬影像作品。

儘管作品的深藍白影像多麼美麗，但它最終都只是大自然的複製品。

再美的藍都不及大海的艷麗，如其複製香港的大海「表面風光」，我反而好奇海底內裏到底隱藏了甚麼?

我希望我的作品可以令更多人關注全球海洋生態，重新關注每天製造的垃圾何處去了。

The shutter is opened,

the photosensitive material is sensitized,

and the scene is recorded.

With the angle of light, the amount of exposure time, and even the influence of media such as paper material and air humidity, it gradually forms a blue and white image.

Despite the beautiful colours of the work, it is still a replica of nature.

Instead of replicating the appearance of the sea in Hong Kong, I am curious about what is hidden inside the sea bed.

I hope that my work will make more people pay attention to the global marine ecology and re-focus on where the everyday garbage has ended in our planet.